When Sanga and her husband, part of a tribe living around the province of Mahismathi, save a drowning infant, little do they know the background of the infant or what the future holds for him. The kid grows up to as Baahubali, a free-spirit wanting to explore the mountains and in the process learns of his roots and then realizes the whole purpose of his life and ends up confronting the mighty Bhallala Deva! 

Hype, excitement, "brace yourselves", we've had it all. Phrases iterated time and again, South Indian Cinema, rather a great deal of it has always resided in the disappointing side of the curve. That particular curve, over time, has become so steep that a good telugu movie was referred to with a superficial conjecture. Baahubali stands out to make a new graph, the only difference being it does not stay true to its ancestry. 

Beginning of the movie, as I sat in the overpriced INOX seats with some overpriced Nachos and Coffee, I expected the hype to fail and some cheesefest for display so I can go home and whine about how much of torment I have been through. But what I rather caught the eye of, was absolutely fantastic. As I sat myself through with keen eyes, there was some brilliant music playing in the background sending a shiver through my nerves at every engaging moment. Every character who came to display brought more immersion with him than the prior. My favourite of them all has been, Kattappa, Kattappa was outstanding. And the visuals (insert puking rainbows meme here) were stunning. 

Now, now, the movie isn't all sunshine and rainbows. There are some unnecessary scenes as well, What I didn't like about Baahubali is that it still holds some of the telugu cinema clichés, the unnecessary dance songs, the romance arc. But wait, that's about it. That is what i had to complain about. 

As the interval set a grand stage for the second half, I was still getting over the marvelous pre interval scene. And what followed the interval -the warfare, the story, the powerful screenplay, the effort put into visuals, the grand stage, performance by the cast, was pure cinematic excellence. And when the movie ended, I could not argue but rule out that Baahubali is amazing. Making a movie like Baahubali requires a great deal of effort and S S Rajamouli has put every bit into it. If not for the stifling unnecessary scenes, Baahubali is fantastic and one amongst the best Telugu movies. 

Highly Recommended. Make an effort to watch it on the big screen.

Meera and Arjun are professionals living in Gurgaon. When Meera walks out of a party late one night, she gets attacked by a group of unknown men. Although she escapes through the skin of her teeth, it leaves her traumatized. Arjun, partly blaming himself for not being there that night, tries to make up for it by treating Meera to a luxurious desert holiday. As they stop on a Highway Dhaba for dinner, they witness a young girl being picked up by a bunch of hoodlums. Arjun chooses to step in, unmindful of the danger ahead.

'NH10' is brutal, frightening & yet powerful. Director Navdeep Singh gives a film, that's often scary & grotesque, but beneath all that, lies a story of courage & fighting back. It may not appeal to all due to its dark theme, but for those who relish on well-done violent thrillers, are sure to have a ball!

'NH10' Synopsis: A young couple's road trip goes awry after an encounter with a group of violent criminals. Chaos & Brutality follows...

'NH10' isn't for the faint-hearted. The sheer brutality depicted on-screen is off-putting & very disturbing. Also, this is a dark film, with absolutely nothing, but darkness all over it. But, the violence & the theme is so justified here, that it works as its trump card. 'NH10' works because the approach to this frightening tale, is given the correct treatment & execution.

Sudip Sharma's Screenplay is arresting. You're hooked onto the screen almost throughout, thanks to its tight writing. However, the first 30-minutes, when the story builds up, are dull. Those moments are the only shortcomings of this otherwise well-made film. But, the second-hour & the finale, in particular, are excellent. 

Navdeep Singh's Direction is realistic & effective. He's handled the film really well. Cinematography is stark. Editing is perfect, as the film wraps up within a 110-minutes. Action-Sequences are gruesome, but well-executed. Background Score is first-class. 

Performance-Wise: Anushka Sharma, who's also produced the film, delivers a terrific, dramatic performance as the horrified yet courageous protagonist. She displays helplessness with sincerity, but breathers fire when it comes to destroying the villains. This is undoubtedly her finest work to date. Neil Bhoopalam is fairly good in the limited role he appears in. Darshan Kumaar is effortlessly wicked, enacting the chief villain with command. Deepti Naval is absolutely fantastic in a scary cameo.

In a contemporary interpretation of war torn Calcutta during the 1940's, the film follows the first adventure of Byomkesh (Sushant Singh Rajput), fresh out of college, as he pits himself against an evil genius who is out to destroy the world. It's his wits against the most villainous arch criminal the world has seen, in a world of murder, international political intrigue and seduction.

So finally, Byomkesh comes to Bollywood!! A well-scripted movie with an original story.Just the base is taken from the original work.The movie seems a bit slow at times but overall, you remain glued to your seats in the anticipation of what's coming next. Its not just another Bollywood thriller. The movie demands the attention of the viewer. In the end, you want for more! Sushant has played the role brilliantly. Other actors are commendable too.There are no irritating songs in the movie, and the dark background music adds to the mystery. Kudos to Dibakar Bannerjee for directing and YRF for producing this movie. And the story is not yet over.... there's more to come!

Kabir Grewal, a Casanovic film maker and screenwriter is making multiple films (GUNS Trilogy) based on a thief's life and robberies, all achieving high success. In order to shoot his third installment (GUNS 3), he goes to Malaysia, where he meets a London based film-maker Ayesha Aamir . Kabir and Ayesha get friendly and soon fall in love. When Ayesha gets to know about Kabir's casanova attitude, she breaks up with him and returns to London. Dejected Kabir goes into depression and returns back to Mumbai, leaving his film incomplete. After several failed trials Kabir couldn't find a perfect climax for his story. On his assistant Meera's suggestion Kabir goes to a film festival as part of the jury, where Ayesha's film is being screened. Ayesha, thought that Kabir is following her and asks him to stay away from her life. After his father's death and been sued by film financiers Kabir decides to move on and complete his film. In a parallel story, An infamous Roy is a mysterious ...

Trailer and promo were reflecting that there is some mystery and thrill but after fifteen minutes of film you get the sense that there is nothing, you are victim of a boring stuff in the name of creativity. This is complex representation of a simple and many time seen concept. There is a dialogue in film that says that there is a type of film, which is only made for the sake of makers, without caring of audience, this line is appropriate for this film itself. Complete film is full of parallel cuts without any story line and emotions. It must have sounded fancy just at the idea level. Good actor Ranbir Kapoor gone waste. He had nothing to do. Sometimes I couldn't understand that what push them to do such type of film. Arjun Rampal is OK. Hindi does not suit a bit to Jacqueline Fernandez but she had make to speak difficult words even when it was not required for her character. It irritates more than her performance less acting.

The film portrays the kidnapping of a little girl of 10, who is out with her father for the day. Her parents are divorced and the ex-wife, literally cloistered by her new husband. On the other side a power-hungry super cop who is increasingly dependent on a cocktail of alcohol and anti-depressants, makes his way through this whole event.

Its a very nice movie, beautifully directed & very different (in a good way) from other Bollywood movies. 

From the beginning itself your mind is not allowed to rest. You start with so many doubts and as the movie progresses some of them gets cleared up, but guess what now you have so many more. So just a suggestion, start the movie with your bladder cleaned up otherwise later on you'll be totally lost. 

Good humor + full suspense + great acting + great direction, have been waiting for this for so long. 

Thanks Mr. Anurag Kashyap for this beauty. Ronit Roy is a great actor, no doubt about that, and he has done wonderful acting here once again. But others are equally good.

The country is perpetually under threat from terrorist powers and the common man walks unaware of the threats and the attacks that our Government controls and prevents. While the common Indian fights for everyday issues, there are deeper and bigger threats to him and his family that he will never know exist because it is the men and women in uniform that safeguard them. The men and women who put country before self, the men and women who define our history because they give a damn! Ajay (played by Akshay Kumar) is one such officer who is part of an elite team chosen from amongst the best in the Forces to form a covert Counter Intelligence Unit. In the course of foiling one terrorist attack bid, Ajay discovers a major threat to our nation - a plan to cause damage and strike fear at the heart of our very existence. The plot is masterminded by a maniacal leader whose organization has its tentacles spread across the world. As days progress, the unit goes through escalating challenges with...